Wednesday, July 31, 2019
Banquo and Macbeth Essay
Banquoââ¬â¢s Ghost appearing at the banquet is a graphic manifestation of the guilt that Macbeth feels. Since, Lady Macbeth needs to make excuses for Macbethââ¬â¢s interaction with the ghost of Banquo means that the ghost is only visible in Macbethââ¬â¢s eyes. During Macbethââ¬â¢s coronation banquet, Lady Macbeth pulls Macbeth asides and asks him the reason behind his inappropriate behavior. Macbeth becomes angry because Lady Macbeth robustly accuses him of lying. When Lady Macbeth calls Macbeth a liar he replies, ââ¬Å"If I stand here, I was himâ⬠(3.4.89). Trying to convince Lady Macbeth of what he saw, Macbeth has to prove to himself that he witnessed Banquo interrupt the feast. Baquoââ¬â¢s ghost is a figment of Macbethââ¬â¢s guilt. Macbeth tries to convince himself that he sees a ghost and is not going mad. After realizing he is truly the only one seeing Banquoââ¬â¢s ghost Macbeth comes to the conclusion that ââ¬Å"This [seeing Banquoââ¬â¢s ghost] is more strange / Than such a murder isâ⬠(3.4.98-99). Fear cuts deeper than a sword. Similar to his earlier epiphany, Macbeth accepts the fact that Banquo is dead on Macbethââ¬â¢s account. When Macbeth returns to the table he proposes a toast that, ââ¬Å"I drink to thââ¬â¢ general joy oââ¬â¢ thââ¬â¢ whole table / And to our dear friend Banquo, whom we missâ⬠(3.4.108-109). Now, in a stage of acceptance, Macbeth is able to tame the million thoughts fighting in his head. Macbeth is in a state of denial. To insure himself that he is not going insane, Macbeth tells Banquoââ¬â¢s Ghost that ââ¬Å"Thy bones are marrowless; thy blood is cold / Thou hast no speculation in those eyes / Which thou dost glare withâ⬠(3.4.114-116). Similar to when Macbeth tells his wife he saw a ghost, Macbeth tries to remain sane. We are not exposed to our real personality until something really awful happens. Once something bad happens all of the useless things fall away until we are left with who we really are. Work Cited Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. Folger ed. New York City: Simon & Schuster, 1992. Print.
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